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Kung Fu=guaranteed comedy |
This movie is very funny. I’m not sure if it’s actually any
good, but it’s awfully funny.
Essentially, the Heat is law-enforcement version of The Odd
Couple. Crass Boston cop Mullins (Melissa McCarthy; Bridesmaids, This is 40,
TV’s Mike & Molly) is the sloppy
Oscar Madison character. She wears the same ratty sweat pants and raggedy vest
for the entire film. Sandra Bullock (Gravity,
Speed) is Ashburn, the uptight
FBI-agent version of Felix Unger. She won’t swear, plays exclusively
by-the-book, and wears business suits for every occasion. The mismatched duo
wind up unlikely partners (think Steve Martin and John Candy in Planes, Trains and Automobiles, or Chris
Farley and David Spade from Tommyboy),
trying to track down a drug kingpin, in Boston.
The plot involves…never mind what it involves. None of it is
important (is the story what you remember from Caddyshack, Anchorman, Airplane, Kingpin, Vacation, the Jerk, I’m Gonna Git You Sucka, Animal
House, Old School, or any episode
of the Three Stooges? Of course not;
you remember Carl Spackler’s monologue, Ron Burgundy’s suit and mustache, Woody
Harrelson’s combover, Chris Farley’s manic energy, Kenny Powers’ mullet, “I’m a
zit, get it?”, etc…). What is important is that it’s laugh-out-loud hysterical.
The performances and jokes are what persists. They make or break a movie like
this.
For example, a scene where Mullins takes Ashburn to meet her
churlish family is comedy gold. Mullins’ brothers are there (one of whom is
former New Kid On the Block, and actual Boston native Joey McIntyre), with
their stringy-haired, cheaply dressed, foul-mouthed girlfriends. They’re all
fighting and screaming insults at one another, in thick Boston accents. Ashburn
tries to fit it, couldn’t be more out of place. It’s perfect.
A friend of mine described Melissa McCarthy as a female Will
Ferrell: willing to behave in unimaginably inappropriate ways, just to sell a
joke. I agree with him, but would add that—at present—she’s funnier. Like him,
she may be one-note. But it’s one helluva funny note. If you liked and laughed
at her character in "Bridesmaids" (like I did; how is her talking
about the “steam heat” rising from her “undercarriage” ever NOT going to be
funny? She got an Oscar nomination for it, for Pete’s sake), you will here,
too.
Bullock plays the straight-man well. Her awkward reactions
to McCarthy’s ridiculous antics work well. She causes McCarthy lots of eye
rolls, and exasperation.
The movie was directed by Paul Feig, who also made Bridesmaids. The comedy here is very
similar: Lots of what my Boston friends would politely call “salty language,”
dick jokes, scatological humor, paired with characters doing ridiculous,
unrealistic, but terrifically hilarious physical comedy.
Much credit should also go to writer Katie Dippold, for the
inspired lines that fall from McCarthy’s lips. I have no idea how much dialogue
was ad-libbed, but whatever wasn’t is still fantastic.
There are needless characters and plot lines. Marlon Wayans’
young FBI agent could have been edited out entirely, and the film would be no
less amusing, or concise. Not all the comedy bits work, either. One
non-sequitur scene of an impromptu tracheotomy (could that ever create
laughter?) is gory, and falls flat. However, these criticisms are minor. The
film’s filled with many other jokes that work terrifically.
If you find McCarthy funny, see the Heat. It might be kinda thin on story, but you’ll laugh plenty.
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